Corrie van Wijk
31-07-2008, 07:38 AM
Steve (notes from a session with David):
"The precise orientation and body posture is required to access a particular experience.
Slight changes in twist, angle, elevation, range, feet, hands, back, neck, knees of the client observer."
In a clean space set-up much attention is given to the right relationship between A and B: is it the right distance, height, angle, etc. As the client starts to think about it, the space between A and B, referred to as C, usually already becomes psycho-active. I like to think of C as 'context', 'contextere' literally meaning 'weaving together'. C holds A and B together, often in a way that is not working.
What would happen if you image [A + B] in another [(kind of) C]?
I've been experimenting with this in my threads on context: the same text works different for me in different contexts: one context was more inspiring for me than another.
So probably taking [A+B] into another context may give you ideas of how to deal with it, which is different from taking another perspective within the space of C, or going 'outside the box' of C into D.
"The precise orientation and body posture is required to access a particular experience.
Slight changes in twist, angle, elevation, range, feet, hands, back, neck, knees of the client observer."
In a clean space set-up much attention is given to the right relationship between A and B: is it the right distance, height, angle, etc. As the client starts to think about it, the space between A and B, referred to as C, usually already becomes psycho-active. I like to think of C as 'context', 'contextere' literally meaning 'weaving together'. C holds A and B together, often in a way that is not working.
What would happen if you image [A + B] in another [(kind of) C]?
I've been experimenting with this in my threads on context: the same text works different for me in different contexts: one context was more inspiring for me than another.
So probably taking [A+B] into another context may give you ideas of how to deal with it, which is different from taking another perspective within the space of C, or going 'outside the box' of C into D.